Soldum: the Yamdu alternative that starts from the screenplay

Yamdu is an international production management platform: scheduling, contacts, documents, budgets and crew distribution held together in one collaborative workspace. It is a broad tool, built for sizeable teams, with the setup and learning that implies. Soldum approaches the same phase of a project from the other end — AI reads the screenplay, and the breakdown, the budget and the shooting schedule follow from it, in a single tool.

The point of this page is not to disqualify Yamdu, which is solid at organising a large production. It is to be precise about where a tool that starts from the screenplay changes the daily work, and where a management platform remains the better fit.

  • Automatic AI screenplay breakdown from the moment you upload the script
  • Budget derived from the breakdown, with actuals tracked against the estimate
  • Shooting schedule built from the breakdown and recalculated on every change
  • Billed per account rather than per seat — the whole team included on Studio

What Yamdu does well, and it should be said

Yamdu grew out of the need to hold an entire production in one place: shooting days, locations, contacts, contractual documents, budgets and crew distribution. That breadth is its real strength. On a feature or a series where several departments work in parallel, a single reference point avoids the scattering into spreadsheets and email threads. The trade-off is openly acknowledged by the vendor: the platform has to be configured and learned before it starts paying off.

Organising a production is not the same as preparing one

This is the most useful distinction for making a decision, and it is easy to miss. A management platform gives you the fields to file information into; someone still has to fill them. The breakdown is the step that produces that information, scene by scene, and it is the step that costs a production manager days of work. Soldum targets exactly that: you upload a PDF or a Final Draft file, AI extracts scenes, sets, characters, extras, costumes, props and technical needs, and you review a database that is already populated instead of typing into an empty one.

Which tool fits which need

Both tools cover the run-up to the shoot, but they do not start in the same place, and that is what should drive the choice rather than a feature count. The table below sets out the split as plainly as we can put it, including the cases where Soldum is not the right answer.

Two ways of approaching pre-production
On this pointProduction management platformSoldum
Starting pointRecords you fill inScreenplay uploaded, broken down by AI
Screenplay breakdownEntered scene by sceneAI-generated, reviewed by you
BudgetBuilt separatelyDerived from the breakdown
Schedule changeCarried across by handPropagated automatically
Call sheetsAssembled from the scheduleRegenerated on every change
Funding plan
Billing unitUsually the seatThe account, team included
Document tracking on a very large crew

From screenplay to budget, with no re-entry

In Soldum the breakdown is not an end in itself: it is the source the other documents flow from. Sets, characters, costumes and technical needs extracted from the screenplay feed the budget and the shooting schedule directly. Move a scene and the schedule recalculates, the travel budget follows, the accommodation nights adjust, and the affected call sheets are regenerated. That propagation is what makes the difference in daily use — more than the accuracy of the initial extraction, because a correct but isolated breakdown still forces you to carry every revision by hand into three other files.

What the subscription actually counts

The question is not whether a tool is sold by subscription, but what the subscription counts: projects, users, exports. Most platforms count seats, so opening the tool to the location manager, the first AD and the production office costs money on every addition — which pushes teams to restrict access, the exact opposite of what a shared reference point is for. Soldum bills the account, not the seat. Studio at €479/month excl. VAT covers unlimited projects and invites your whole team at no extra cost; Solo at €149/month excl. VAT suits companies preparing one film at a time. An annual commitment takes 25% off, and the free tier lets you break down a first screenplay before committing.

What Soldum does not do

Better said before you open an account. Soldum does not write screenplays and offers neither a text editor nor a storyboard: the script is imported, not drafted here. We do not cover editorial post-production, and we do not claim to match the depth of a production management platform for tracking documents across a three-hundred-person crew. The scope is preparation, from the screenplay arriving to the crew leaving for the shoot, plus budget tracking during it.

Migrating, or running both

There is no data migration to orchestrate: Soldum starts from the screenplay. You export your text as PDF or Final Draft, you upload it, and the breakdown runs. In practice the most common migration is not really one — teams try Soldum on the preparation phase of a real project, breaking it down, costing it and scheduling it, while keeping their existing tool for what it already does well. It is the least risky path, since you compare two outputs on the same screenplay without dismantling anything.

Who this alternative is for

Production companies, producers of short films, documentaries, commercials and music videos, and production managers who spend their days keeping a breakdown, a budget and a schedule consistent with one another. Soldum is built on French industry rates and budget categories, which is a concrete advantage if you shoot in France or co-produce with French partners, and simply neutral otherwise. If your first need is document coordination across a very large international crew, a dedicated management platform remains the coherent choice.

What's your pre-production challenge?

What kind of project are you preparing?
What takes you the most time today?
How do you work right now?

Frequently asked questions

What is the main difference between Soldum and Yamdu?

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The starting point. Yamdu is a production management platform: it organises the information of a shoot. Soldum starts from the screenplay, breaks it down with AI, then derives the budget and the shooting schedule from it. One files what you enter, the other produces a draft you review.

Is Soldum suitable for large teams?

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The Studio plan covers unlimited projects and invites your whole team at no extra cost per member. For document tracking across a very large shoot, a dedicated management platform still goes deeper: Soldum's scope is preparation.

Can I import a screenplay written in another tool?

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Yes. Soldum starts from a screenplay in PDF or Final Draft format, whatever produced it. That is the most common setup: write on one side, prepare in Soldum.

Is the breakdown really automatic?

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AI reads the screenplay and extracts scenes, sets, characters, extras, costumes, props and technical needs. The result is still reviewed and approved by you: no change is applied without your consent.

Is a per-user subscription required?

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No, the subscription is billed per account: €149/month excl. VAT on Solo for one film at a time, €479/month excl. VAT on Studio for unlimited projects with the whole team invited, and 25% off with an annual commitment. A free tier lets you test the breakdown.

Does Soldum handle project financing?

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Yes, which falls outside the usual scope of production management platforms: funding schemes matching the project are surfaced, then tracked in a single financing plan through to award.

Related reading

Informational comparison page, compiled from publicly available vendor information (August 2026); features and commercial plans change over time. Soldum publishes one of the solutions compared. Yamdu® and the other trademarks mentioned belong to their respective owners and are referenced only for the purpose of objective comparison.